TECH 101 COURSE OUTLINE + SCHEDULE OF ASSIGNMENTS
The schedule will be updated with homework and slides after every class.
I: INTRODUCTION, ACOUSTICS, AND RECORDING
August
8/27 \ Overview of Topics + Syllabus, Discussion of Electronic Music + Listening | SLIDES go Here
Homework (HW):
Read “What is Electronic Music?” by Thom Holmes from Electronic and Experimental Music: Pioneers in Technology and Composition
Listen to Racing Through, Racing Unseen by Natasha Barrett. Program notes here.
As you listen to this work, consider the following questions (not being graded, just for yourself):
What sounds do you hear in this work? What techniques does it seem were used to create these sounds (microphones, computer, instruments, etc.)? Do these sounds evoke (a) location(s) or place(s)? How is the work organized; how does it change over time?
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September
9/1 \ Sound Terminology, Acoustics
9/3 Sound Terminology Review, Acoustics, cont., Microphones
II: SINGLE-TRACK EDITING, DIGITAL AUDIO THEORY, AND ELECTRONIC MUSIC HISTORY I
9/8 \ Microphones + Listening to Scavenger Hunt Recordings
9/10 \ ocenaudio I: Basic Editing, Importing, Exporting, Tape Music, History of Electronic Music I: Musique Concrète from 1940s to the Present |
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9/15 \ Listen to Single Track Editor Play
9/17 \ Quiz #1, ocenaudio II: Advanced, Review History of Electronic Music I, Electronic Music Centers + Digital Audio, The Art of Noise, Introduce Composition 1
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9/21 \ Composition 1 Due @ 9PM - SUBMIT HERE
III: MULTI-TRACK EDITING, DIGITAL SIGNAL PROCESSING, AND Soundscape COMPOSITION
9/22 \ Reviewing Project 1, History of Other Electronic Music Studios, Digital Audio
9/24 \ Reviewing Digital Audio, REAPER I + II: Basic Editing, Importing, Exporting + Automation, Effects
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9/29 \ The Phasing Technique (a la Reich), DSP Effects I: Time Domain Effects (Delay/Echo, Stereo Imaging, Reverb, Modulation Effects)
October
10/1 \ Ambient Music, DSP Effects II: Dynamics, Equalization/Filtering, Introduce Composition 2: Timbre Clouds
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10/6 \ Equalization/Filtering, Automation of FX (Drawn + Recorded)
10/8 \ Equalization/Filtering, Automation of FX (Drawn + Recorded), cont.
HW: Finish Composition 2
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10/13 \ Composition 2 Due @ 9PM - SUBMIT HERE
[REMOTE] 10/14 \ Review Composition 2, Review FX + Automation, Spectral Effects with SPEAR
[REMOTE] 10/16 \ Quiz 2 (Digital Audio, Ambient Music, Process Music, FX), SPEAR, Introduction to Soundscape Composition
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🍂 FALL break (10/18 - 10/26) 🍂
IV: SYNTHESIS, MIDI AND VIRTUAL INSTRUMENTS, MIXING, AND ELECTRONIC MUSIC HISTORY II
10/28 \ Soundscape Composition, cont.
10/30 🎃 \ Theremin, Introduction to Synthesis and VCV Rack
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November
11/4 \ Introduction to Synthesis, cont., Introduce Composition 3: Process + Pulse
11/6 \ Sequencers, MIDI, and Virtual Instruments (w/ Dexed)
HW: Finish Composition 3 (due on Monday)
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11/10 \ Composition 3 Due @ 9PM - SUBMIT HERE
11/11 \ Review Composition 3
11/13 \ Review Composition 3, cont., In-Class Demonstration of Mixers, Audio Interfaces, and Live Sound
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11/18 \ Introduce Final Project, Mixing for Mini-Mix Assignment
HW: Start Mini-Mix Assignment (due December 2nd)
11/19 \ Final Project Proposal Due @ 9PM
11/20 \ Individual 3-minute Meetings for Final Project During Class-time
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(No Class 11/25)
🍂 THanksgiving break (11/26 - 11/30) 🍂
December
V: ADVANCED TOPICS, SOUND DESIGN, AND FINAL PROJECT
12/2 \ Review Mini-Mix Assignment
12/4 \ In-class Work on Final Project
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12/9 \ Final Project Presentations I
12/11 \ Final Project Presentations II
12/12 \ Final Project Supplementary Text Due @ 9PM